To
Jamaicans; England is portrayed as the land of opportunity, despite being in
the midst of the Second World War, along with the ongoing issues of racial
tension.
The novel focusses on four protagonists.
Firstly, the audience are introduced to Queenie who is Gilbert’s white
landlady, the latter arriving in London as an RAF recruit. Gilbert, returns on
the SS Empire Windrush, and through desperation he knocks on Queenie’s door,
hoping for a place to stay, and discovers that she is actually willing to
reside with a black man; subsequently Gilbert takes room in her desolate and
decaying home. Then there is Hortense, a rather subdued and ‘depleted’
character, who marries Gilbert and shares a room with him. My favourite part of
the novel, is a vivid piece of imagery
attributed to Hortense, was when she described the horror, of finding her
husband standing ‘stark naked’ in front of her. Describing his genitalia
Hortense recalls: ‘I only turned my back for five seconds, and there he was as
naked as Adam, and between his legs the thing grew. Rising up like a snake
charmed, with no aid and with no help, the thing rose before my eyes, rigid as
a tree trunk, swelling before me.’ Apparently sex wasn’t part of the deal!
The biggest surprise about the novel, was
the pinpoint accuracy of the dialect used by Jamaicans, that was recounted by
the author. Upon research, I found that there are many variations of Jamaican
dialect depending on region, in a similar way to the dialects of Britain.
However, many authors generalise the Jamaican dialect, ignoring and neglecting
the idiosyncrasies of it. Therefore, Andrea Levy, demonstrates her astuteness
by depicting authenticity and respect for each character, enabling them to have
their own ‘voice.’
The fourth protagonist, is Bernard; Queenie’s
long lost husband, who is presumed dead after going missing in combat. Not much
is offered by the author, in terms of Bernard’s characteristics and persona.
But she cleverly captures the imagination of the reader, as we move from pillar
to post, deciding if Bernard is actually dead or alive.
Hortense regularly features in the novel, in
a first and third person context. We are led to believe she is arrogant, a
village snob- demonstrated by her constant criticism of the house she shares
with Queenie and Gilbert. For example, describing the room she sleeps in as
‘run down,’ and the linen: ‘the sheet was so flimsy it ripped in two as easy as
paper,’. One may believe that a person arriving from a foreign country may be
grateful for giving her a place to stay. Apparently not.
Hortense, received exaggerated facts about the details of life in England; and
travelling from Jamaica expecting paradise, she arrived to find a country in
desperate need of renovation, as the Second World War was coming to a harrowing end. However, as the
novel reaches its climax, Hortense, is mellowing somewhat; as she begins to
appreciate her surroundings more, her demeanour becomes increasingly polite and
agreeable.
The Guardian newspaper (2004) rated the
novel, ‘one of the most defining books of this decade’ (speaking of the years
2000-2010). And we can see how the broadsheet arrived at this assumption,
especially when describing the xenophobia that was rife during this period. As
times have thankfully changed, the contemporary reader may be appalled at the
vocabulary used to describe black individuals, and the hostility that their
presence evokes. This is summed up perfectly, by the reaction of Queenie’s next
door neighbour as another “black un” arrives. Her response, due to the absence
of Bernard, is that she needs “the money and more importantly the company.”
The novel has since been adapted into a BBC
drama, where the topics of prejudice, love and war are given a visual
element. This novel is certainly the
proverbial rollercoaster, the reader is treated to memorable occasions
described in an imaginative and up-beat fashion; but contrastingly the language
and experiences that are used, expose a sinister side to human nature during
this period, full of hatred and redemption.
This novel is certainly worth a read, and
reminds us how certain sections of society negated the minority in these
difficult and disturbing war-torn times.
By Ryan
Hillback
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